Written by Mark Gatiss
Directed by Paul Murphy
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Other notes:
·
A
recycling of ideas, or recurring motifs? The "aliens/robots making massive
computer chips in ancient/medieval society" thing is a little too
reminiscent of 'The Fires of Pompeii', which of course is a very important
episode for Capaldi's Doctor. But 'Robot of Sherwood' picks up that plot hook
and... doesn't do much with it. There's no half-memories to Pompeii, just an
eerily familiar narrative beat.
·
Clara's outfit here features a golden jewellery piece on her
forehead — a third eye, if you'll allow me. Clara has more to do than The
Doctor here – she extracts large tracts of Plot from the Sherriff, and Gets
Things Done while Robin and The Doctor are locked up in the dungeon. She can
see from the very beginning along that Robin Hood is real.
·
It seems that – so far! – only robots and androids are
attempting to make it to The Promised Land, which gives us a hint to its
function. Is The Promised Land where half-formed cybernetics go to become
actualised, where Pinocchio turns into a real boy?
· Even if it isn’t going to set the world on fire, ‘Robot of
Sherwood’ feels like the right episode at the right time. After two weeks of
setting up the Twelfth Doctor as a little more difficult to work with, and a week before a story being billed as the successor to 'Blink', we have something brighter, a comedy outing.
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